SKU: 8005480907

UQL2870 Industrial Chandelier, 23.5"H x 39"W, Silver Etch Finish, Nantes Collection

$472.05 $524.50
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Description

UQL2870 Industrial Chandelier, 23.5"H x 39"W, Silver Etch Finish, Nantes CollectionPRODUCT OVERVIEW: What makes this product different? The UQL2870 distinguishes itself with its sculptural play of oval, circular, and linear shapes, creating a chandelier that feels both industrial and artisanal. Its Silver Etch finish paired with thick, hazy textured glass delivers an uncommon material mix rarely seen in typical farmhouse or rustic fixtures. Unlike many mass produced options, the craftsmanship suggests hand forged metalwork and

PRODUCT OVERVIEW:

What makes this product different?
The UQL2870 distinguishes itself with its sculptural play of oval, circular, and linear shapes, creating a chandelier that feels both industrial and artisanal. Its Silver Etch finish paired with thick, hazy textured glass delivers an uncommon material mix rarely seen in typical farmhouse or rustic fixtures. Unlike many mass-produced options, the craftsmanship suggests hand-forged metalwork and artisanal detailing. The softened diffusion of the glass produces a warm, atmospheric glow that elevates interiors beyond standard chandeliers.

Why is this product worth the price?
The UQL2870 Nantes chandelier commands its price with a distinctive blend of industrial design and artisanal charm. Weighing a substantial 29.5 lbs, its steel and textured glass construction speaks to its quality and durability. This isn't a mass-produced piece; the hand-worked glass, "whimsically cut" and framed by metal, offers a unique, diffused glow. The Nantes collection offers enduring value, promising lasting style, and represents an investment in a fixture designed to elevate your space for years to come.

What value does this product offer over similar options?
The UQL2870 upgrades ordinary spaces through its artisanal blend of thick textured glass and weathered metallic tones, a stark contrast to the thin, factory-stamped alternatives flooding today's market. This substantial 29.5-pound chandelier's whimsical glass cutting and visible metallic bolts create an industrial poetry that mass-produced fixtures simply cannot replicate. While competitors offer harsh, uneven lighting, the Nantes' hazy glass delivers warmth and sophisticated diffusion, all backed by Urban Ambiance's trusted UA Guarantee—ensuring your investment endures beautifully for years.

FIXTURE INFORMATION:
  • MODEL NUMBER: UQL2870
  • ALTERNATE MODEL NUMBER: N/A
  • ITEM ID: 32392451
  • PRODUCT COLLECTION: Nantes
  • INSTALL LOCATION: Indoor
  • FIXTURE TYPE: Chandelier
  • FINISH: Silver Etch
  • CONSTRUCTION MATERIAL: Steel and Glass
  • INSTALLATION HARDWARE INCLUDED: Yes
INSTALLATION INFORMATION:
  • FIXTURE BODY: 23.5" H, 39" W, 15.5" Dep
  • MIN HANGING HEIGHT: 30.5
  • MAX HANGING HEIGHT: 71.5
  • DOWNRODS INCLUDED: None
  • CHAIN LENGTH: 4 Ft
  • ADDITIONAL RODS / CHAIN AVAILABLE: Yes
  • CEILING OR WALL PLATE DIMS: 0.75" x 12
  • POWER WIRE LENGTH: 8 Ft
  • FIXTURE WEIGHT (IN LBS): 29.5
  • LOCATION RATING: Damp Locations
  • SLOPED CEILING COMPATIBLE: Yes
  • REVERSIBLE (UP/DOWN) OPTION: No
  • VOLTAGE: 110/120 V
BULB INFORMATION:
  • DIMMABLE: Yes
  • NUMBER OF LIGHTS / BULBS: 6
  • BULBS INCLUDED: No
  • MAX BULB WATTAGE: 60
  • ESTIMATED LUMENS PRODUCED: 4800
  • BULB BASE: E12 Candelabra Base
  • RECOMMENDED BULB SHAPE: B10 or T6
  • RECOMMENDED BULB COLOR TEMP: 2200-3000K
  • LED BULB COMPATIBLE: Yes
  • LIGHT DIRECTION: Omni-Directional
STYLE AND DESIGN INFORMATION:
  • DESIGN FEATURES: Unique-Glass
  • SHADE CHARACTERISTICS: Glass-Water
  • FIXTURE SHAPE: Triangular
  • FIXTURE SHAPE: Crescent
  • FIXTURE SHAPE: Circular
  • FIXTURE SHAPE: Oval
  • FIXTURE SHAPE: Lines
COLLECTION DESCRIPTION:

The Nantes collection is characterized by its heavily industrial design that brings an artisanal appeal indoors. The rustic construction leverages the infusion of thick textured glass all around a weathered metallic tone.Seemingly cut in a whimsical fashion, the hazy textured glass gracefully floats around the metalwork without concealing the inner metallic details. The glass is held by complementary metallic bolts. Adopting both cylindrical and oval alignments, this collection can easily suit many versatile applications. The unique glass softens the diffusion while amplifying the charm of the backdrop.Available in Silver Etch as pendant lights, wall sconces, and different sizes of chandeliers.

PRODUCT PDF MANUALS:
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view installation guide
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SKU: 8005480907

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4.2 ★★★★★
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Product Reviews
J
Verified Purchase
jdee28
West Palm Beach, US
★★★★★ 5
Excellent treatment of a narrow subject: how society shaped the church
Format: Paperback
This book is not a comprehensive overview of the church from 700-1500, nor is it a narrative treatment or an introduction. This book is highly selective, focusing on one central theme. Its strengths are in its organization and in the examples it gives to illustrate its theme. These examples are concrete, vivid and use quotations from original documents to excellent effect. The theme of the book is how society shaped the church. Southern examines the main institutions of the church -- the papacy, bishops, religious orders and fringe orders -- and shows how the needs and interests of society molded each. Perhaps having written on 1000-1200 in other books, for me, the strongest insights Southern makes here are on the periods 750-1000 and 1200-1500. Insights that particularly struck me: the importance of magic from 750-1000; the evolution of bishops, from supporting local rulers to supporting the pope; the importance of the Augustinian canons in the twelfth century, seeing them as one end of a pole, with the Cistercians on the other end and the Benedictines in the middle; the role of Franciscans and Dominicans in supporting scholars in the thirteenth century; and the fringe orders -- the book has one of the best treatments of the Brethren of the Common Life from the fourteenth century that I have come across. The book is highly selective. There is no treatment in this book on intellectual life (the "new learning") or artistic life, nor is there much on the heresies of the period or popular religion (the "new piety"). What the book does select to treat, it does so in a deep, highly readable, substantial way. One will definitely come away with how the demands of society molded the church. Highly recommended!!
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 24, 2021
L
Verified Purchase
Ludwig
Phoenix, US
★★★★★ 4
Wonderful book, but not a general reference on the subject & period
Format: Paperback
Southern's powerful study of the organizational and administrative structures of the medieval church is a wonderful antidote for the popular view of the Middle Ages as a long period of almost continual chaos between the Fall of the Roman Empire and the Renaissance (i.e. the "Dark Ages"). Southern does a fantastically good job of explaining and illustrating the central truth of the Church in the Middle Ages, i.e. that the Church was identical with society to an extent that had never been true before and has never been true since. That said, Southern's disciplined approach is often too much of a good thing and there are a number of topics which one would expect to take pride of place in a typical narrative history of the subject and period that Southern touches on only obliquely and insofar as they are relevant to his primary topic: those neglected stories include the long papal/imperial struggle (Guelps & Ghibellines), the Crusades, the Black Death, etc.. Southern also has a puzzling and sometimes maddening tendency to couch the discussion in terms of implications, roles and epithets instead of being explicit and just naming names. E.g. in the context of the discussion of the fall of Constantinople, Mehmed II is mentioned äs "the conqueror", but not by name; that a pope visited Constantinople in 710 for the first time and last time in premodern history is noted, but the pope is not named (it was Constantine); some of consequences of the "Donation of Constantine" are implied fairly early in the book, but it is not explitly named (and then, to add to the reader's irritation, discussed later as if the topic had already been explitly introduced). These are all characteristic slips of an expert used to addressing other experts in his field attempting in this instance to write a more or less introductory text. They are understandable slips, but they take their toll. The book is generally excellent & well worth reading and it is hard to imagine a better introduction to the topics it does cover, but unfortunately, and unlike Chadwick's initial volume in this series, it does not serve well as a general reference on the history of the Medieval Church.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 22, 2010
W
Verified Purchase
W. Taylor
Boise, US
★★★★★ 5
Concise
Format: Paperback
I recently discovered how little I know about my own faith. This book is the second in a series of Penguin books on the history of the church. The author does an excellent job of providing an overview of the social setting of the middle ages and how the papacy, the East-West schism and the religious orders developed during this time period. I recommend this book to anyone who wants to understand more about how we got to where we are.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 31, 2010
A
Verified Purchase
Amazon Customer
Massapequa, US
★★★★★ 3
Three Stars
Format: Paperback
a little hard to follow
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 2, 2015
T
Verified Purchase
The Glide
Pawtucket, US
★★★★★ 5
Sad to say Christians killed "infidels" too
Format: Paperback
A real eye-opener! Christians were killing "infidels" in the middle ages and the infidels were other Christians, Jews and Muslims.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2016

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