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Description
the lost fresco music for the anghiari battleTHE LOST FRESCO MUSIC FOR THE ANGHIARI BATTLE William Byrd (1533 1540 1623): The drum and flute Nicoletta Andreuccetti: From the Visible to the Invisible: The Lost Fresco (2014) Guillaume Dufay (1400 1474): Donne l'assault a la fortresse Giovanni Gabrieli (1557 1612): Intonation of the VII tone Tomas L. De Victoria (1548 1611): Estote fortes in bello Jacquet de Berchem (1505 1567): Women, knights, weapons, loves Oh great goodness of ancient knights
THE LOST FRESCO – MUSIC FOR THE ANGHIARI BATTLE
William Byrd (1533/1540-1623): The drum and flute
Nicoletta Andreuccetti: From the Visible to the Invisible: The Lost Fresco (2014)
Guillaume Dufay (1400-1474): Donne l'assault a la fortresse
Giovanni Gabrieli (1557-1612): Intonation of the VII tone
Tomas L. De Victoria (1548-1611): Estote fortes in bello
Jacquet de Berchem (1505-1567):
Women, knights, weapons, loves
Oh great goodness of ancient knights
Tobias Hume (1569/1575-1645): Soldier's March
Giovanni Battista Conforti (1550-1605): No sound of drums or sound of trumpets
John Dowland (1583-1626): My Lord Willoughby's Welcome home
Giovanni Ferretti (1540-1609): Enter into battle, my thoughts
Gioseffo Guami (1540-1612): Canzona sopra la battle
Mathias Hermann Werrecore (?-1574): O Italian Lords / The Grand Duke of Milan
Annibale Padovano (1527-1575): Battle of 8
Andrea Gabrieli (1533-1585): Intonation of the second tone
Tomás Luis de Victoria (1548-1611): Te deum laudamus
UMBRA LUCIS ENSEMBLE
in cooperation with Singing of Stones Festival and RSI
The relationship between music and battle is an archetype that bears witness to the ethical dimension of music and its impact on humanity: amorous disputes, moral duels... in a word: the dialectic between shadow and light that incessantly punctuates life.
The relationship between music and battle is an archetype that tests the ethical dimension of music and its impact on the human: love disputes, moral duels… in a word: the dialectic between shadow and light that incessantly marks life.
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