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Description
NOVA Heated Wheelchair Accessible 4.5 ft. walk-in bathtub with 6 in. Tile Easy Up Adhesive Wall Surround in WhiteWheel Chair Accessible's provide a safe and independent bathing experience. Using the latest in tub crafting techniques and industrial grade materials Wheel Chair Accessible Tubs offer an impressive line to meet your specific needs. With ADA compliant designs and features, Wheel Chair Accessible Tubs offer the satisfaction and peace of mind needed to truly enjoy a luxurious soak. Includes two (2) 60x60 in. 6 in. square tile rampart wall surround
Wheel Chair Accessible's provide a safe and independent bathing experience. Using the latest in tub crafting techniques and industrial grade materials Wheel Chair Accessible Tubs offer an impressive line to meet your specific needs. With ADA compliant designs and features, Wheel Chair Accessible Tubs offer the satisfaction and peace of mind needed to truly enjoy a luxurious soak.- Includes two (2) 60x60 in. 6 in. square tile rampart wall surround sheets, two (2) 60 in. tall corner caddies, ten (10) clear silicone tubes, double sided adhesive strips, two (2) caulking tubes, HD2953WCALWS Nova Heated walk-in bathtub
- NOVA powered thermal heated seat backrest
- White finish with polished chrome trim
- Left side drain location
- Removable front access panels for maintenance
- Built in tile flange
- Fast fill polished chrome finish 4 piece Roman faucet set with extendable handheld shower head
- Cable operated waste and overflow included
- Soaking bathtub for a deep, full body experience
- High grade marine fiberglass with triple gel coating
- Solid stainless steel frame with 8 laser precision support points
- Safe for bathing salts and aromatic oils for a deep, relaxing soak
- Designed for an alcove style installation
- ADA compliant molded bathing seat, safety grab bar, low threshold entry and wide opening wheelchair accessible door
- Advanced GE water seal backed by a lifetime warranty
- Built-in grab bar for added safety and stability
- Slip resistant textured flooring for safety and comfort
- Outward swinging door
Features
| Item Weight | 220 |
| Material | Fiberglass |
| Drain Location | Left |
| Exterior bath shape | Rectangular |
| Water capacity (gallons) | 60 |
| Style | Modern |
| Bath Therapy Type | Soaking |
| Product Weight (lb.) | 220 |
| Included | Drain,Handshower |
| Maximum Number of Occupants | 1 |
| Returnable | 180-Day |
| Tub/Shower Features | Slip-Resistant Tub |
| Faucet mount | Tub Mounted |
| Color/Finish | White |
| Maximum Number of Occupants2 | 1 Person |
| Color Family | White |
| Door Handing | Outswing |
| Door Swing | Left Hand |
| Soaking Depth (in.) | 34 |
| Overall Height (in.) | 42 |
| Overall Length (in.) | 53 |
| Overall Width (in.) | 29 |
| Basin Width (in.) | 29 |
| Basin Length (in.) | 53 |
| Certifications and Listings | ADA Compliant |
| Manufacturer Warranty | 10-Year Limited Warranty on Tub Shell and Wall Surround, 1-Year Limited Warranty on Components, Lifetime Warranty on Door Seals, 3-Month Limited Warranty on Labor |
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Exchange/Return Notes
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4.5 ★★★★★
Based on 8 reviews
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Product Reviews
★★★★★ 5
WHITE MOB JUSTICE
Format: Paperback
More black men were hanged in America in the twentieth century than were hanged during slavery, the author of this book Miss Amy Louise Wood does an excellent job of revealing who and what group of Americans did this whole scale hanging of black men. Many white people who participated and witnessed these hangings were your everyday run of the mill American citizens as stated on page 80-81 "As visual extensions of the lynching itself, photographs could at times assuage crowds that had missed the opportunity to witness and participate in the violence. In 1934, the posse that captured Claude Neal, accused of raping and killing a young white woman named Lola Cannidy, chose to lynch him in the woods outside Marianna, Florida, rather than bringing him to the Cannidy home, where a large crowd had gathered in anticipation of the lynching. When the waiting crowd had discovered that the mob had lynched Neal privately, they were reportedly outraged. The mob finally arrived with Neal's body in tow, and the crowd, which included Cannidy's family, took out their vengeance on the corpse, kicking and shooting it, tearing it apart, and even driving their cars over it. Neal's mutilated, nude body was then hanged on the courthouse lawn in the center of the town, and hundreds of photographs were taken. he next day, as people congregated in the square to see the body, the photographs were sold to those purportedly still incensed that the posse who lynched Neal had denied them the satisfaction and pleasure of witnessing Neal's lynching. The images acted as visual replications of the actual spectacle, offering them vicarious access to the missed thrill of the lynching. The gratification local viewers derived from the images of Neal's lynched body was directly attached to their outrage over Cannidy's rape and murder, their fears of black criminality, and their desires to assert their racial power and superiority in the face of these threats."
Another interesting aspect of these mobs is the role religion played in their actions as stated on pages 67 "The performance of a lynching thus created a symbolic representation of white supremacy-a spectacle of demonic and wicked black men against a united and pure white community. That those images coincided with evangelicals' impassioned exhortations against sin gave lynching sacred force and justification. Indeed, the imprint of Protestant language and tropes on lynching rituals and defenses imbued the violence with divine sanction and made it appear familiar and recognizable to a people immersed in Christian beliefs and values. Mobs could thus conspicuously flout the law and perpetrate what otherwise would be considered aberrant and grotesque acts of sadism while considering themselves to be righteous and moral citizens."
In the twentieth century the hanging of black men was a major festive event for many on looking white people as can be seen in the pictures on page 32 and also on pages 78 and 79, on page 79 you can see a young white man smiling, on pages 95 and 102 there are more pictures of gleeful white spectators, on page 192 there is crowd participation in this picture of a hanging and burning black man I thank this author for writing this very much needed book.
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Reviewed in the United States on July 6, 2015
★★★★★ 5
A fresh take on lynching and its place in American culture.
Format: Paperback
A path-breaking study of lynching as spectacle and the meanings such events produced for the masses who attended them as well as for those who saw the photos and postcards afterwards. Wood's visual analysis of these images is impressive and cogent. Her writing is clear and accessible to a wide audience. This is cultural history at its finest!
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Reviewed in the United States on April 17, 2018
★★★★★ 5
Great book ...disturbing subjet
Format: Paperback
This book explained the rationale for lynching! It was just what I needed for my graduate course!!
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Reviewed in the United States on July 14, 2019
★★★★★ 4
Lynchers Were Worse Than I Thought,
Format: Kindle
It was worth the time and effort to get through this book. It has opened my eyes to the scapegoating of Black victims’ as the evil ones and whites as the religious moral ones.
That being said, this book was too detailed, making it slow reading.
Overall, it still was and is worth reading to understand this massive projection of guilt and evil on victims, and the taking of justice into mob rule.
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Reviewed in the United States on November 8, 2021
★★★★★ 5
great book
Format: Paperback
This book was insightful yet the stories was shocking but its a dose of reality. I like the product and its great for my library.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 3, 2014
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