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Description
AudioQuest Boxer subwoofer cable 3mSOLID 1. 25% SILVER CONDUCTORS FOR IMPROVED SUBWOOFER PERFORMANCESolid 1. 25% Silver Plated Copper Conductors: A superbly cost effective way to maximize a video or digital cable, harsh and horrible for full range audio, but like turning up the sharpness for a subwoofer, enhancing articulation and intelligibility. POLYETHYLENE AIR TUBE INSULATION Any solid material adjacent to a conductor is actually part of an imperfect circuit. Wire insulation and
- SOLID 1.25% SILVER CONDUCTORS FOR IMPROVED SUBWOOFER PERFORMANCESolid 1.25% Silver-Plated Copper Conductors: A superbly cost-effective way to maximize a video or digital cable, harsh and horrible for full-range audio, but like turning up the “sharpness” for a subwoofer, enhancing articulation and intelligibility.
- POLYETHYLENE AIR-TUBE INSULATION
Any solid material adjacent to a conductor is actually part of an imperfect circuit. Wire insulation and circuit board materials all absorb energy. Some of this energy is stored and then released as distortion. AudioQuest, however, uses Polyethylene Air-Tube Insulation on both conductors, for increased geometry stabilization and improved clarity. Because air absorbs next to no energy and Polyethylene is low-loss and has a benign distortion profile, Polyethylene Air-Tube Insulation, with its high air content, causes much less of the out-of-focus effect common to other materials. - DOUBLE-BALANCED GEOMETRY
Specifically designed for single-ended applications, Double-Balanced Geometry offers a relatively lower impedance on the ground for a richer and more dynamic experience. While many single-ended cable designs use a single path for both the ground and the shield, Double-Balanced designs separate the two for cleaner, quieter performance. - CARBON-BASED 3-LAYER NOISE-DISSIPATION SYSTEM (NDS)
It's easy to accomplish 100% shield coverage. Preventing captured Radio Frequency Interference (RFI) from modulating the equipment's ground reference requires AQ's Noise-Dissipation System (NDS). Traditional shield systems typically absorb and then drain noise/RF energy to component ground, modulating and distorting the critical "reference" ground plane, which in turn causes a distortion of the signal. NDS's alternating layers of metal and carbon-loaded synthetics "shield the shield," absorbing and reflecting most of this noise/RF energy before it reaches the layer attached to ground. - COLD-WELDED, HANGING-SILVER DIRECTLY OVER PURE RED COPPER TERMINATIONS
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4.4 ★★★★★
Based on 10 reviews
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Product Reviews
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book.
What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
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Reviewed in the United States on September 6, 2017
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information.
I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Reviewed in the United States on November 11, 2025
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides.
I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people!
To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome.
Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try.
This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem?
My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another.
Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft.
He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author.
Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010
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