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Description
Shure GLXD2+/SM58 Dual Band Handheld TransmitterThe Shure GLXD2+ is a digital handheld wireless microphone transmitter compatible with GLX D+ receivers. This version comes equipped with the legendary SM58 dynamic mic capsule, an industry standard for vocal performers and presenters. The capsule features a cardioid polar pattern that minimizes background noise and feedback, and its brightened midrange and bass roll off gives you the warm and clear vocal reproduction the mic is renowned for. SM58
The Shure GLXD2+ is a digital handheld wireless microphone transmitter compatible with GLX-D+ receivers. This version comes equipped with the legendary SM58 dynamic mic capsule, an industry standard for vocal performers and presenters. The capsule features a cardioid polar pattern that minimizes background noise and feedback, and its brightened midrange and bass roll-off gives you the warm and clear vocal reproduction the mic is renowned for.
SM58 Microphone for Stage-Ready Vocals
Relied on by live engineers and singers worldwide, the rugged SM58 features a dynamic capsule that's pneumatically shockmounted to resist handling noise, while the cardioid polar pattern focuses audio capture on the vocalist, helping to reduce feedback issues when sound reinforcement equipment is used. Built into the SM58 is a pop filter, which helps control wind and breath noise without requiring an external pop screen. A steel-mesh grille protects from wear, abuse, and the challenging conditions of live events. The transmitter features an On/Off switch that can be locked out at the receiver to prevent accidents.
Dependable Wireless Performance
- GLX-D+ Dual-Band Digital Wireless systems operate in both the 2.4 and 5.8 GHz frequency ranges, automatically scanning both to select the one that offers the higher number of clean channels.
- The system offers true digital diversity, which means two antennas and two independent receiver modules work together to reduce RF signal dropouts.
- In addition, the GLX-D+ transmits on its own main frequency just like a traditional system, but it also transmits on 2 extra "backup frequencies" at the same time. If the system detects interference on the main frequency, it will switch to one of the backups automatically without the user even knowing.
Intelligent Battery Rechargeability for Uninterrupted Performance
- The GLXD2+ handheld transmitter runs on an intelligent SB904 rechargeable lithium-ion battery (included).
- The battery provides up to 12 hours of continuous use on a full charge.
- The SB904 battery can be recharged in the GLXDR4+ receiver's charging bay (located on the front panel). The charging bay can also be used to recharge a spare battery while the transmitter is in use.
- Alternately, the SB904 can be recharged while in the handheld transmitter with a USB charging cable.
- Just a 15-minute quick charge provides 1.5 hours of use.
- The SB904's remaining battery life is displayed in hours and minutes from the receiver's front panel.
Shure GLXD2+/SM58=-Z3 Specs
| Wireless Technology | Digital UHF |
| RF Frequency Band | Z3: 2400 to 2483.5 MHz / 5725 to 5850 MHz |
| RF Bandwidth | 208.5 MHz |
| RF Channel Scanning | Auto-Scan |
| Max Operating Range | 100' / 30.5 m |
| Max Transmitters per Band | 8 |
| Built-In Recorder | No |
| Timecode Support | No |
| Mobile App Compatible | No *As of February, 2023: Check with manufacturer for the most up-to-date compatibility |
| Encryption | None |
| Modulation | Proprietary (with Back Channel) |
Transmitter
| Transmitter Type | Handheld |
| RF Output Power | 10 mW |
| Audio I/O | None |
| Included Cable Connector | None |
| Pad | None |
| Muting | Off/On Switch |
| Audio Input Level | 8.4 dBV |
| Auto-Level Control | No |
| Memory Card Support | None |
| Signal Processing | None |
| Frequency Response | 20 Hz to 20 kHz (Dependent on Mic) |
| Sync Method | Proprietary |
| Antenna | 1 x External, Fixed (Handheld) |
| Power Requirements | Battery |
| Battery Type | 1 x Shure SB904 (Included) |
| Internal Battery Capacity | 2420 mAh |
| Battery Charging Time | .25 to 3 Hours |
| Approx. Battery Life | 12 Hours |
| USB/Lightning I/O | None |
| Display & Indicators | LED (Battery Status, Sync) |
| Housing | Metal, Plastic |
| Dimensions | 2 x 9.7 x 1.5" / 51 x 246 x 37 mm |
| Weight | 9.7 oz / 275 g (without Batteries) |
Microphone
| Microphone Type | Handheld |
| Color | Black |
| Sound Field | Mono |
| Capsule | Dynamic |
| Polar Pattern | Cardioid |
| Frequency Range | 50 Hz to 15 kHz |
| Impedance | 300 Ohms |
| Sensitivity | -54.5 dBV/Pa |
| Outputs | None |
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Exchange/Return Notes
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4.7 ★★★★★
Based on 23 reviews
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Product Reviews
★★★★★ 5
This is a must read for ALL writers, not just fiction writers!
Format: Paperback
This is a must read for ALL writers, not just fiction writers! Although, in places, a bit technical, for any writer, not just new writers, for anyone who wants to master their craft, this is a must read book.
What can be said about Gardner that hasn't been said yet? One of the best books on writing about writing that I have read. Comparable to Stephen King's, On Writing. Yes, it is that good. In Part I Gardner lays out a compelling treatise about the genre of fiction, what it is and why it is important. In Part II he discusses the how-to of writing good fiction, where he talks about common errors, technique and plotting at length. One of the benefits from reading The Art of Fiction is that it gives the reader a crash course in literature, who many of us that come from a Science, Technical, Engineering and Math (STEM) background are sorely lacking in. This said a writer who has grown up in the sciences, or engineering, or business worlds will find this book very useful in "catching up" a bit to our friends who have read all of classics and can retell significant scenes as though they were there. Again, this is a must (must) read for ALL writers, not just fiction writers.
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Reviewed in the United States on September 6, 2017
★★★★★ 4
Helpful
Format: Hardcover
The book itself is excellent, very helpful with lots of specific information.
I was disappointed (one star) that the used hardcover edition I ordered arrived as the paperback edition, though in very good condition.
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Reviewed in the United States on November 11, 2025
★★★★★ 5
Good!
Format: Paperback
Needed this for a class but still keep it around as its useful to my field of study.
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Reviewed in the United States on March 19, 2026
★★★★★ 5
Simply what any serious would-be writer must know.
Format: Kindle
I am a writer only in the sense that I write daily and believe that I do have that ineffable "it"; I do not, however, have any formal writing training. I say all of this to make clear that anyone, literally, can read and understand this book, gaining invaluable knowledge about the craft of writing. Some of the less effulgent reviews of this title have pointed to the "pompousness" of Prof. Gardner and his supposed sesquipedalian loquaciousness as reasons for hopeful writers to search-out more simplistic guides.
I disagree emphatically. I truly believe that this book holds the keys to unlocking the divide between the good and great writer, particularly for those of us who have not had access to the best educational opportunities. Personally, I want to be a great writer. Not a good writer, not a successful, or published, or wealthy writer: a great writer. I want to move people to think about things in ways that they never would have, maybe without even knowing that their ideals are changing; I want to move people!
To write like that one needs, me thinks, the guidance of one with an intimate knowledge of how this is properly -and not so properly- done, and the "arrogance" to believe he can convey this understanding, even to we ignoramuses. This is what I have found in Prof. Gardner and this wonderful tome.
Distracters may feel free to criticize my review as they wish. I stand by my opinion of this book and its Author.
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Reviewed in the United States on January 5, 2013
★★★★★ 3
I Recommend It, But Not Much
Format: Paperback
This book is recommended in SELF-EDITING FOR THE FICTION WRITER, a book I have read twice and enjoyed a great deal. I had to give Gardner a try.
This is a tough review to write because I can't say this is a fantastic book to help one write fiction. At the same time, there is little or nothing said that I disagree with. So, what's the problem?
My confusion starts with my expectations when reading a book about writing. It's a situation where I want to gain information and hints on how to write better, without being bombarded by direction on how to write. This criteria has served me well and I've found a number of writing books that made me write or want to write better; SELF-EDITION FOR THE FICTION WRITER is one, THE FICTION WRITER'S WORKSHOP is another.
Judging by that, this book didn't pass muster. Rather than coming away with a new awareness of what I want to include or exclude from my own work, I'm left feeling like I've been having coffee with an experienced author full of sweeping opinions on craft.
He's crafty in one way, his ability to pull me in with the sense of being an insider, watching other fiction writers through thick glass. He uses a lot of lines like "The writer who can't distinguish truth from a peanut-butter sandwich can never write good fiction. What he affirms, we deny, throwing away his book in indignation..." The implication isn't about writers of bad fiction so much as it is about 'us', him and I, being partnered in our unique ability to indignantly recognize a lousy writer. In fact, we're pretty decent to only discard the book when we're entitled to exact creative justice on its sloppy author.
Still, and here's the rub, it isn't a bad read. Don't skip an hour of writing to sit down with this book but if you're between projects and have the time, I'd recommend it.
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Reviewed in the United States on July 11, 2010