![FiGPiN Classic: My Hero Academia- Mirio Togata [Hero Costume] (#526)](https://cdn.shopify.com/s/files/1/0410/8618/9722/products/unnamed_2.png?v=1600891764)
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Description
FiGPiN Classic: My Hero Academia- Mirio Togata [Hero Costume] (#526)From the My Hero Academia TV series comes this Mirio Togata in Hero outfit FiGPiN Enamel Pin. The premium hard enamel 3 inch FiGPiN is amazingly detailed and is able to stand up with the signature FiGPiN rubber backer stand. The pin comes displayed in front of a backer card and is fully capsulated in the ultra collectible FiGPiN clear protector case. Enhance your FiGPiN collector experience with unique ID codes on the back of each pin. The unique ID
From the My Hero Academia TV series comes this Mirio Togata in Hero outfit FiGPiN Enamel Pin. The premium hard enamel 3-inch FiGPiN is amazingly detailed and is able to stand up with the signature FiGPiN rubber backer stand. The pin comes displayed in front of a backer card and is fully capsulated in the ultra collectible FiGPiN clear protector case. Enhance your FiGPiN collector experience with unique ID codes on the back of each pin. The unique ID code will provide cool details such as the edition run, sequence number in the edition, artist bio, wave information, manufactured date, and rarity scale. The My Hero Academia Mirio Togata Hero Costume FiGPiN Classic Enamel Pin is #526 in the FiGPiN collection. Build and share your collection! Ages 14 and up.
- FiGPiN Number: 526
- Cast zinc alloy inlaid with hard synthetic color enamel.
- Finished with an electroplated nickel coating.
- Stands up on a patented FiGPiN soft rubber backer.
- Encased in a museum-quality, clear poly-carbonate display box with a black ABS plastic base.
- A uniquely designed and character-specific background card finishes the look.
- Sized approximately 3" tall (76.2mm) 3/32" thick (2.0mm)
- All FiGPiNs include a laser engraved, alphanumeric serial number on the back, making every single one uniquely yours.
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Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
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4.1 ★★★★★
Based on 27 reviews
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Product Reviews
★★★★★ 5
Silly little book
Format: Hardcover
My daughter love this book. We read it over and over again until I had to make her choose something different t. The story is so cute and the illustrations are really fun.
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Reviewed in the United States on March 29, 2026
★★★★★ 5
Great book
Format: Hardcover
Love this book. I bought two of the other books in this series. My niece loved it.
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Reviewed in the United States on April 3, 2026
★★★★★ 5
Perfect for spring time!
Format: Hardcover
Such a great book series I love reading it to my boys!
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Reviewed in the United States on March 31, 2026
★★★★★ 5
Good buy
Format: Hardcover
This is a super cute book! It teaches about spring and we enjoy reading it!
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Reviewed in the United States on February 19, 2026
★★★★★ 5
"Racial Capitalism"
Format: Paperback
Cedric J. Robinson’s Black Marxism is first a history of Black people appearing in historical texts as far back as Herodotus (c. 484 – c. 425 BCE) in ancient Greece, and second a history of “the collisions of the Black and white ‘races’ beginning in the fifteenth and sixteenth centuries.” Robinson’s thesis connects the evolution of capitalism to its roots in racism (racialism) understood in broad terms to comprise the subjugation of one class/group/nation/race by another (the Irish by the English in the nineteenth century, for example). He uses the term “racial capitalism” to express this process—the necessity of opposing classes for the function of capitalism. As a result, “racialism,” he says, “would inevitably permeate the social structures emergent from capitalism.” Keynes attributed the slow change in the “standard of life of the average man” until the beginning of the eighteenth century to “the remarkable absence of important technical improvements and to the failure of capital to accumulate.” Capital is accumulated, in Marx’s view, through the accretion of “surplus labor” which is the extra time a worker “must add to the working time necessary for his own maintenance . . . in order to produce the means of subsistence for the owners of the means of production.” Robinson ties capitalism’s early exploitation of surplus labor to slave labor and the slave trade noting, “historically, slavery was a critical foundation for capitalism.” Robinson traces the forced transport of Black people from Africa (the diaspora) to Europe, as well as Central, South, and North America as a foundation of early capitalism (and slavery as its form of “primitive accumulation” of capital). In his discussions of slavery, Robinson stresses the sense of the enslaved people with respect to their captors in terms of the slaves’ resistance, hostility, and defiance of the masters—their “Black radicalism.” As Robinson’s text approaches the twentieth century and the influence of Marx, his focus narrows to the significance and character of specific Black leaders including W. E. B. Du Bois, C. L. R. James, and Richard Wright and their respective connections to Marxism’s diverse interpretations. Marxism, says Robinson, “has proven insufficiently radical to expose and root out the racialist order that contaminates its analytic and philosophic applications or to come to effective terms with the implications of its own class origins.”
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Reviewed in the United States on September 2, 2022